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Pia Moberg's avatar

Before being introduced to Physical Literacy and Dean Kriellaars by the Swedish Budo and Martial Arts Federation I had together with my friend Åsa Bergström in Stockholm invented our method "Happy Aikido" to inspire and motivate children and teens to train Aikido. We had published two books about it. When I realized our method was similar to the Physical Literacy wheel taught by Dean I became very happy. After many years now we know the balance between games, physical stuff, coordination, ukemi, props etc. And we get very good results with the AIkido as well, in fact, we realized that teens get even more motivated to learn "the real Aikido" when they do many different things. We have a Young Leaders training so that youths between 13-19 learn how to teach in a fun way according to physical literacy. If anyone is interested to know more or read/watch what we done, just reach out! Happy to share! And yes, to some extent this is also a natural part of the adult class when needed and the 65+ Senior training that we call SLOW Aikido. We are now a pilot dojo for senior 65+ initiated by the Swedish Budo and Martial Arts Federation to find a happy Physical Literacy training for that age group. Some people tend to think physical literacy and happiness is a threat to "the real learning" but our experience is the opposite. Better shape, better aikido, better ukemi. Best regards from Pia Moberg, Riai Aikido DOjo in Gothenburg, Sweden. www.riai.se

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KineOasis's avatar

One of the greatest downfalls of "traditional" form is the reduction of movement complexity. Professional athletes understand this very well and continue to implement cross-training throughout their career. For Aikido, this is even more accentuated because the form does not include jumps, etc...so most of the movement performed in a Dojo is incredibly limited - exception being Kids' classes which often incorporate games and other ways to move (mostly to retain students, not for actual movement development). In our case, our movement programs combine somatic work with a very open movement exploration approach.

This is less popular with parents who want to see their kids line-up, receive color belts and trophies, and basically train highly impractical choreography. Ultimately, Dojo owners must walk a narrow path of student retention versus deep teaching. Sadly, society has determined that entertainment is king, therefore recreational classes have prevailed over deep developmental learning.

I do not know the state of affairs in other parts of the world, but in the US a huge majority of kids lack the most basic movement development pointing to the tragedy originating from diminishing physical free play outdoors with all of what it entails.

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